Everything Is Under Control
Everything Is Under Control, 40 x 100 cm, acrylic, 2002
A Place For Your Advertisement I, 60 x 80 cm, oil on canvas, 2000
The Robbery, 50 x 50 cm, oil on canvas, 2001
I'm With Stupid, 50 x 70 cm, oil on canvas, 2002
Confidential, 57,5 x 70,5 cm, oil on canvas, 2002
Bacardi's Fever, selfportrait, 65 x 55 cm, oil on canvas, 2002
Emmanouil Bitsakis, 70 x 50 cm, oil on canvas, 1999
Do Sport In Opposition, 65 x 54 cm, oil on canvas, 2001
Get This Feeling, 80 x 100 cm, oil on canvas, 2002
Read The Bible, 70 x 50 cm, oil on canvas, 2000
Call And Fuck, 100 x 70 сm, oil on canvas, 2002
276 real phone numbers of people offering sex taken from a daily newspaper
Dream Team, 60 x 100 cm, oil on canvas, 2002
Terzlev's sports paintings are directly related 10 the policies and attitudes of contemporary nationalism, depicting a game that is overly serious and aggressive. One image illustrates the contrast between the bright, calm world of people playing and the shock of a recently detonated bomb, Its smoke spiraling aver the tops of the buildings. Terziev also considers consumerism, borrowing commercial slogans to highlight their use of sex and violence.
All of this goes far beyond traditional Pop art, which purloined the aesthetic dimensions of consumer culture - Terziev's attitude is rather more critical. He paints rationally, often borrowing from photorealism, while at the same lime applying paint expressively. The result is a multi-layered visual experience, serious despite deriving from mass culture.
His work derives from television and commercials and the neo-conceptual art of the 1990. Terziev's painting is figurative, but he intervenes with additional text and pop elements; it might reference politics, sports or computer games! as well as religious or social realities or metaphors.
А Place For Your Advertisement II, 60 x 80 cm, oil on canvas, 2000
We Are The Children, 48 x 57 cm, oil on canvas, 2002
Enjoy It, oil on canvas, 35 x 50 cm, 2001
Who Knows Jesus, oil on canvas, 60 x 45, 1999