The Perfect Painter
a performance with Katia Damianova and Oleg Mavromatti, Dauhaus club, Sofia, Bulgaria, 2007
The emblematic for the Renaissance Leonardo's Vitruvian Man is the "canvas" on which a modified toy robot is moving, an allegory of our century. The vertical line connecting these two poles represents our own erythrocites. The chaotic movement of the mechanical artist in the square, gradually builds a "genuine" picture – a proof of the harmonious coexistence of two minds with different nature.
Видео документация от пърформанса
камера: Олег Мавроматти
монтаж: Кеворк Асланян