Situation Normal All Fucked Up

 

Situation Normal: All Fucked Up (SNAFU)*

object, phorography printed on 300lb photo paper, mounted on board, topmaster professional nivel
image size 32,5 x 37 cm, framed size: 35 х 40 cm, Edition of 5+1 AP, Anton Terziev, 09.2022

Photo: © the artist
Courtesy the artist

 

View of the Costa Concordia taken on January 14, 2012, after the cruise ship ran aground and keeled over off the Isola del Giglio. 32 passengers and crew members drowned after the Italian ship with some 4,200 people on board ran aground. The Costa Concordia was on a trip around the Mediterranean when it hit a reef near the island of Giglio, only a few hours into its voyage, as passengers were sitting down for dinner. Last night, 613 days after the original incident, Salvage crews successfully rolled the Costa Concordia into an upright position.

Foto credit: Filippo Monteforte/AFP/Getty Images
 
 
In the making. Photo: © the artist
 
Situation Normal All Fucked Up is part of "Everything you need" exhibition, BKI, Prague, 15. 11. / 15. 12. 2022 curated by Rositsa Getsova
 
Anton Terziev’s _Situation Normal: All Fucked Up (SNAFU)_ distills the Costa Concordia disaster into a taut meditation on catastrophe and our compulsion to measure it. Printed on sumptuous 300 lb photo paper, mounted on board, and presented in a 32.5 × 37 cm edition (5 + 1 AP), the work juxtaposes the iconic image of the keel-side hull off Isola del Giglio with a centrally placed Topmaster nivel. The bubble—poised imperfectly between its markers—becomes both a clinical device and a perverse medal for failure, underscoring how we cling to instruments of stability even amid collapse.

Terziev’s pairing of documentary precision and conceptual wit blurs archive and allegory. Framed like a maritime relic, _SNAFU_ references 32 lives lost during what should have been an ordinary dinner—then wryly notes the ship lay overturned for 613 days before salvage crews righted her. Yet the nivel insists that some imbalances can’t be corrected by technique or will alone.

At once eulogy and indictment, _SNAFU_ honors its human toll while critiquing our neurotic faith in metrics. In its spare elegance, the installation holds up a disquieting mirror: our relentless pursuit of equilibrium may be what keeps us perpetually off-balance.
 
 
 
Installation view - Black Art Friday group exhibition, Arosita galery, Sofia - 28.11.2025